'Time to change a strange adult entertainment law in Japan', by Richard Smart, posted on CNN Travel on January 26th, 2011
This article takes a look at some of the strange and outdated points of the fueiho. My personal favorite states that "In night hours (which in Tokyo law are between 1 a.m. and dawn), customers are not to partake in revelry (yukyou)."
Showing posts with label articles. Show all posts
Showing posts with label articles. Show all posts
Tuesday, 13 November 2012
Wednesday, 24 October 2012
unite 2 fight the dance prohibitions
Anti-dancing law out of step with Japan's youth culture by Eriko Arita in The Japan Times is a good intro to the police crackdown and resultant disillusionment in the club community.
The article quotes a recent interview with Ryo Isobe, seasoned Tokyo clubber and author of the book, "Odotte wa Ikenai Kuni, Nihon (Japan: the Country Where You Must Not Dance)", which is about his experiences and views of the late-night dance ban.
The piece also draws attention to the murkier politics involved in the crackdown - the Tokyo Government's attempts at a 'purification mission' in Kabukicho (!) and the Osaka government's possible intentions to separate the entertainment district from residential areas, promoting casinos instead of dance clubs...
These government drives tend to push the sex trade further underground, making conditions worse for sex workers, at the same time crushing the late night dance scene (which as we know, has little direct involvement with the sex industry anyway).
The piece finishes with a call to action from Isobe who says clubs should be more united in their actions, lobby politicians, and clean up their act by ensuring customer ID is checked on entry to their premises and that drugs are kept out of clubs.
Tuesday, 23 October 2012
flashbacks of '98
The Fueiho is not a new law, nor is this the first time it's been used to suppress club, music, and youth culture. While searching for information on the current crackdown, I came across this article, published in Tokyo Classified (which would go on to be renamed Metropolis in 2001). Stop the Music, published in issue 296, seems to have been written in the late 90's, and describes a crackdown on clubs in Minato ward. The thing that struck me about this article is how similar the situation was to the one we have now, in 2012. Familiar themes emerged: a lack of clarity on why the old law was suddenly being enforced, theories of certain areas being targeted for image change, and few willing to speak on record.
Then, too, the reaction from the club/ music/ dance world was that the law was ridiculous and oppressive. Here's one voice of protest: a anti-Fueiho anthem from You the Rock. From 1998, here's Hoo! Ei! Ho!
Then, too, the reaction from the club/ music/ dance world was that the law was ridiculous and oppressive. Here's one voice of protest: a anti-Fueiho anthem from You the Rock. From 1998, here's Hoo! Ei! Ho!
Friday, 19 October 2012
Dance hall days
'Japan: no dancing please', by James Hadfield, posted on Japan Connect on Friday, October 12th, 2012
This in-depth article dives into the historical context in which the fueiho developed, from the first crackdown on dance halls in the 1920's, to the links between prostitution and dance in the 40's that were the the reality when the 1948 laws were penned. After brushing us up on our history, Hadfield explores theories of why the crackdown is happening. Is this a public morality campaign, a convenient cover for other police investigations, or something else?
Meaningless...
'Let them dance', Editorial comment in The Japan Times on Sunday, August 5th, 2012
Get into the groove...
To bring you up to date on developments over
the last couple of years and further back still, we will post informative
articles which have appeared in various publications casting some light on the
dance ban madness starting with:
'Late-night dancing should not be a crime in Japan', by Ian Martin, from The Japan Times on Thursday, November 24th, 2011
This article discusses the impact of the recent
police crackdown on the dance scene in Tokyo and Osaka as well as the live
music scene in smaller provincial cities such as Kumamoto, where it has been
even more devastating. Martin describes the ban as an attack on local culture and
regional economies and the vague and outdated Business Entertainment Control Law
as a 'convenient stick with which to beat down a section of society [the
police] feel threatens social harmony.'
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